The door, the white door, all the doors. To the small range of wavelengths called the visible world. We’ve attached names. So I could speak to you. Now something in the middle has come apart. The word “I” sits on my shoulders. Ready for [flesh].
Rosmarie Waldrop
[ I ]
“I am no who-am,” Maya says
as she slips into her skin. “I
am a rosebud growing firm,
I am a smile become a grin,
a mind with no outside, no
in. I loved the hymn of him
I knew, then fled to the second,
the third, the person who promised
my past could be repeated without me
in it. I sank my tooth into my tongue
and tasting copper pennies pushed
past the barricade to take the coin
from my eye to place it on the track”
— stand back — “let the freight train
pass to spare the conductor the sound
of passing through a body” in exchange:
“a shining shield a fine medallion
every etching print and face blurred
into a blissed and whorled edge fine
enough to sharpen, would there were
a whetstone, would there were a drop
of honing oil. But no. I have a hammer
and with it this blue nail, strong enough
to pierce the copper, hard enough to
cut a hole. I thread through it
the locks of hair you left me in a braid,
make of this flattened penny a pendant.”
AFTER THE AIRLIFT
Maya opens a door in the morning. She
closes the same door, tired of medics
saying her name. They intimate, weigh,
they dizzy the day making similes seem
a little useless, their eyes out seeking
some kind of agreement. Sparks don’t
fly for them when she likens water to
ice and glaciers to selfhood and time
to patience and patience to giftwrapping
books about mountaintop funerals with
pale tissue paper for her little sister.
Tessa. The rainy season brings articles,
mostly the and a, pressing breath from tip
to tongue revealing next to nothing each
word they kiss and tell. Maya practices
with her plurals, watching genders
stream by the window with the country-
side, her legs bent for days, evenings,
months counting sentries on the road
to the hospital.
“Agricola”
she mouths, fogging the pane
without lifting a finger. “This property is
not for sale.” “This house is not for sale.”
“This land is not for sale and” “I am not”
THE RIVERBED
Bound to and by this earth,
I am not meant for your heavens.
Where I walk bends back,
where I leap I land
with seeds and bells burrowed
beneath me. I saw an oriole by the meadow,
lady slippers circling the pond,
a touch of oxidized avocado
on the picnic table, and I found gauze
in the glove box looking for your keys.
Scanning through the radio, I’m
becoming one who needs constant
baptism—termination, she says,
that’s the goal of our relationship.
Your wings are only so big. Who
is taken under whose. Two times
entangled in twine, I’m so sorry I
was my mother’s mouth-piece
there in the desert. I want to last;
want my bones to feel the archaeologist’s
brush. I want to keep your lambs
with my sheep and bring the sheepdog
dinner. I want to shift with the sea,
moved by moon and moment, I
must be of two minds because I am
who I am and I’m always of five.
You listened to an interview, said
I was listening to my soul. A tin cup
at the bottom of a well? No, today
it’s silent. More moth-like—more leaf
-like? No—a ringtone, then a summer.
Somaticizing my time. Me, I
do better in winter, when my word
is good for something. Me, I
want to live in the river
and sleep beneath this lotus.
AUBADE BEFORE A DOG DAY
Let my child who needs to fall
fall free. We will fall with her
poised gently here holding roof
with feet, ledge with thumbpads,
fingertips, air of an August
city night lifting up
beneath our palms. We will
stall her one-way flight,
the falcon with a dive will
clear the way and leave behind
a halo and a plume. We won’t
imagine the pain she will
and the hurt we’ll live without
while we know she must flee
now. We are all letting go
the we who walked to the stairwell
and up it with the elevator down
for repairs. My youngest was held
sleeping on my shoulder; I watched
her eyes close with long lashes.
The middle one held his console,
and the gathered witnesses swayed
on the rooftop. Some lit cigarettes,
some held their breath, still others
swallowed, monk-like murmured,
while a thief led us in prayer. Their
sister, my daughter, and every
window stared in morning as in
night, no flicker or glint without
fog, one overhead flight with red
and green on the wing, grounded
by sundown in another time zone,
another day. Weight shifting right
to left, left to her, her balance
depended on the lot of us keeping
safe distance, the strength in her
legs and eyes turned toward the city.
I offer a hand she takes, squeezes,
lets go, with next step, with listen,
with louder, with rush of, our breaths
out, and silent, our family turns in.
I move last from the ledge
drawing my palms across the white
concrete, once rough, now smooth.
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